The Raw, The Cooked, and the Rotten (Lo crudo, lo cocido, lo podrido) *

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=25% BGCOLOR="#000000" TEXT="#F7F7FF" background="0d1ad653.gif"> <div> <FONT SIZE="3" COLOR="#FFFFFF" FACE="Arial" ><A HREF="index.htm" TARGET="_top" TITLE="home page"><IMG SRC="0d2b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="plays.htm" TARGET="_top" TITLE="Complete List of Plays"><IMG SRC="0d3b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="news.htm" TARGET="_top" TITLE="General Information Latest News"><IMG SRC="0d4b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></FONT><A HREF="de_la_perra.htm" TARGET="_top" TITLE="Marco Antonio de la Parra"><IMG SRC="0d7b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="ramos_perea.htm" TARGET="_top" TITLE="Roberto RamosPerea"><IMG SRC="0d8b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="sieveking.htm" TARGET="_top" TITLE="Alejandro Sieveking"><IMG SRC="0e2b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="santana.htm" TARGET="_top" TITLE="Rodolfo Santana"><IMG SRC="0dab51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="rovner.htm" TARGET="_top" TITLE="Eduardo Rovner"><IMG SRC="0d9b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="schmidt_huber.htm" TARGET="_top" TITLE="Guillermo Schmidhuber"><IMG SRC="0e1b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><A HREF="mn.htm" TARGET="_top" TITLE="Maritza Núñez"><IMG SRC="123b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><FONT SIZE="3" COLOR="#FFFFFF" FACE="Arial" ><A HREF="kardun.htm" TARGET="_top" TITLE="Mauricio Kartun"><IMG SRC="0d5b51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></FONT><A HREF="cpt.htm" TARGET="_top" TITLE="A Message from the Host of Latin America"><IMG SRC="0deb51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A><FONT SIZE="3" COLOR="#FFFFFF" FACE="Arial" ><A HREF="email.htm" TARGET="_top" TITLE="Place an order / Contact Us"><IMG SRC="0dfb51f0.jpg" border=0 width="181" height="31" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></FONT></div> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF" background="0cf5c5c3.gif"> <bR> <bR> <div> <I><IMG SRC="0feb0d70.jpg" border=0 width="176" height="215" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></I></div> <bR> <div> The Raw, The Cooked, and the Rotten (Lo crudo, lo cocido, lo podrido) * </div> <bR> <div> AUTHOR: <A HREF="de_la_perra.htm" TARGET="_top" TITLE="Marco Antonio de la Parra">Marco Antonio de la Parra</A></div> <div> COUNTRY OF ORIGIN: Chile</div> <bR> <div> translated by Prof. Charles Philip Thomas</div> <bR> <div> CAST: 3 men, 2 women</div> <bR> <div> <IMG SRC="11b302f0.jpg" border=0 width="304" height="303" ALIGN="LEFT" HSPACE="15" VSPACE="0">Marco Antonio de la Parra, Chilean playwright, short story writer, novelist and psychiatrist, began to establish his reputation as a writer in 1978 with his work, Lo crudo, lo cocido, lo podrido, which caused a scandal when the Catholic University banned its performance one day before the official debut. They considered the play to have "elements which attacked the spirit of the university and Catholicism." After several months, the original director of the play, Gustavo Meza, "who also cut, cut again, added, did over, and worked very hard on the play", finally mounted the production in his Imagen theatre. The play ran for about eight months and received great critical acclaim. The work was described in a 1988 New York Times Book Review article: ``Looking for metaphors to describe the 15 years of military rule, Chile's writers have likened the country to...a restaurant in which a group of waiters controls the country by dictating its table manners; the maitre d' commits suicide at the end.''</div> <bR> <div> <A HREF="perrabook.htm" TARGET="_top" TITLE="Book: The Theater of Marco Antonio de la"><IMG SRC="0326da00.jpg" border=0 width="109" height="160" ALT=" " ALIGN="LEFT" HSPACE="15" VSPACE="0"></A>The waiters are awaiting the arrival of "the last link in the chain of great men who governed the country." They're waiting to kill him. Hernán Vidal, in a critical introduction to the play in a 1982 anthology, makes the following observations about the waiters, maitre d', and cashier: (...they repeat games and routines in order to pretend that their lives and the restaurant are full of activity and life. They imitate noble citizens; they pretend that they ask the waiters for important advice; they practice ways of serving which evolve into ballet movements; they stylize the French pronunciation for the elusively served items on the menu. With this, they reveal a highly hierarchic mentality which disregards individual expression in order to carry out the servile function which one expects of them.)</div> <bR> <div> Other plays by <A HREF="de_la_perra.htm" TARGET="_top" TITLE="Marco Antonio de la Parra">Marco Antonio de la Parra</A></div> <bR> <div> <A HREF="king_kong.htm" TARGET="_top" TITLE="King Kong Palace ">King Kong Palace</A></div> <div> <A HREF="secret.htm" TARGET="_top" TITLE="Secret Obsenities (La secreta obscenidad">Secret Obsenities (La secreta obscenidad de cada día)</A></div> <div> <A HREF="dead_father.htm" TARGET="_top" TITLE="The Dead Father (El Padre Muerto">The Dead Father (El Padre Muerto)</A></div> <div> <A HREF="every_young.htm" TARGET="_top" TITLE="Every Young Womans Desire (El deseo de t">Every Young Woman's Desire (El deseo de toda ciudadana) *</A></div> <div> <A HREF="killer_tangos.htm" TARGET="_top" TITLE="Killer Tangos (Matatangos) ">Killer Tangos (Matatangos)</A></div> <div> <A HREF="dostoyevski_.htm" TARGET="_top" TITLE="Dostoyevski Goes to the Beach (Dostoevsk">Dostoyevski Goes to the Beach (Dostoevski va a la playa) </A></div> <div> <A HREF="monogamy.htm" TARGET="_top" TITLE="Monogamy (Monogamia)">Monogamy (Monogamia)</A></div> <div> <A HREF="god_has_died.htm" TARGET="_top" TITLE="God Has Died or the Will of power (Dios ">God Has Died or the Will of power (Dios ha muerto o La Voluntad del Poder) </A></div> <div> <A HREF="god_has_died.htm" TARGET="_top" TITLE="God Has Died or the Will of power (Dios ">The </A><A HREF="sleepless.htm" TARGET="_top" TITLE="The Sleepless Land, the Mother Whore or ">Sleepless Land, the Mother Whore or the Mother Country: Greek Tragedy Without Greeks: (La Tierra Insomne, La Puta Madre o La Madre Patria)</A></div> <div> <A HREF="continent.htm" TARGET="_top" TITLE="The Black Continent (El continente negro">The Black Continent (El continente negro)</A></div> <div> <A HREF="ophelia_.htm" TARGET="_top" TITLE="Ophelia or The Dead mother (Ofelia o la ">Ophelia or The Dead mother (Ofelia o la madre muerta)</A></div> <div> <A HREF="small_history.htm" TARGET="_top" TITLE="The Small History of Chile (La pequeña h">The Small History of Chile (La pequeña historia de Chile) </A></div> <div> <A HREF="on_the_air.htm" TARGET="_top" TITLE="We are on the Air (Estamos en el aire)">We are on the Air (Estamos en el aire)</A></div> <div> <A HREF="seamstresses.htm" TARGET="_top" TITLE="The Seamstresses (Las costureras)">The Seamstresses (Las costureras)</A></div> <div> <A HREF="happyrevolt.htm" TARGET="_top" TITLE=" The Revolt of Happiness (La rebelión de">The Revolt of Happiness (La rebelión de la felicidad)</A></div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> </td> </tr></table></body>